Monthly Archives: September 2021

World Tourism Day

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It’s World Tourism Day!  Of course, it’s difficult to celebrate since there are still travel bans and restrictions in place all over the world.  But all that will pass soon enough.  Not soon enough for me, but in the grand scheme of things, soon enough.

World Tourism DayTravel is exciting and fun.  It tops the bucket lists of many, many people.  And very fortunate people have the opportunity to travel frequently. 

Travel with your harp is thrilling and exciting (and occasionally heart-stopping) but so worth it.  Having a harp with you can be a solace (especially in long waits, jet-lagged nights or trying times of travel).  It can also be a real bridge builder.  If gives strangers an opening to interact.  It gives you a way to chat when you don’t even speak the language!  I’ve met some really delightful people because I was playing my harp.

And you get plenty of exercise!  You never realize how heavy your harp really is, or how large an airport is, until you’ve carried it through one!

While the pandemic continues, tourism continues to be significantly impacted.  To put this into perspective, according to the United Nations, 10% of the world’s population work in tourism and have been sidelined by the loss of travels.  That’s nearly 800 million people all waiting for things to get back to normal.

You might (or might not) know that I started this blog in 2009 to promote the Harp the Highlands and Islands trips.  I was (and still am) so excited by the chance to travel with harp friends to a place I love to visit.

I conceived of the whole shebang at the Ohio Scottish Arts School the summer before.  I dreamed of playing the tunes we learned in the places they were inspired by.  What could be cooler, I reasoned, than sitting at the Soldier’s Leap on the River Garry and playing Killiecrankie?  Or to be on the Isle of Skye  playing Morag of Dunvegan, or Mrs. McLeod of Raasay, or MacDonnald, Lord of the Isles, or any of the other gazillions of tunes from Skye!?  Or to sit just about anywhere and play a tune tied to that place?

But it was a later, chance conversation with my Partner-in-Crime David (who had begun working as a tour guide) that added the secret sauce to make it all happen.  I mentioned that thought and he made it a reality!  And so, the trip was born.  He plans and leads delicious and delightful travel experiences and I put together tunes referencing places, people, history, and emotion that stitch it all together.  We share the tunes and everyone has a blast!

What could be better than travel to a place that calls to you, with people you enjoy, to share music and laughter and fun?  If you said, “Pretty much nothing could be better!” you are right!  And if you didn’t say that, you should probably come along with us – then you’d see what I mean!

We were bummed when we had to postpone the 2020 trip.  And we were dismayed when we, understandably, had to postpone again to 2022.  We’re hoping against hope that we’ll be good to go next summer.  Because…Scotland! (voted the most beautiful country in the world)  Because…harp! (the original traditional instrument of Scotland)  Because…music! (do I really to have to say anything pithy here? I didn’t think so.)

Until we can travel as we once did, we’ll have to content ourselves with celebrating World Tourism Day with the rest of the world from our own homes.  We’ll eagerly await our trips.  Until then, you can still go places.  Local travel and tourism will scratch the itch for a while.  Bring your harp along to add a delight element to your trip.

If you’d like to come on a trip with us – let me know.  Want more info? It’s here on the website.  Best bit, you don’t have to carry your harp, it’ll be there for you!

How are you going to celebrate World Tourism Day?  Where are you going to take your harp next?  If you haven’t traveled with your harp before – by car, by bus, by subway, by train, by plane – and wonder if it’s as difficult as it looks, ask your questions!  I’d love to hear what you’d like to know.

Ides of September….

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The Ides of September are here.  Temperatures are beginning to dip, the sun is setting sooner.  Yep, autumn is in the air.

What could be better than apple picking (or picking apples at the market, if you don’t live in apple region), pumpkin carving, or selecting the right layer that will keep you warm in the morning but help you not sweat in the afternoon.  All the good things.

Of course, that’s right now.  But right ‘round the corner are the holidays.  And then, no matter your level of play, people are going to ask you to play. The question isn’t whether they’ll ask, the question is –

WILL YOU BE READY?

The upside of the holidays is that the music doesn’t change much, so each year you can refresh tunes you have played in previous years and add a couple of new ones to broaden your repertoire. 

The downside (especially if you are less experienced or don’t often perform) is that people know all those tunes, so you might feel more stressed about making a mistake while playing.

That stress doesn’t make it easier to get through the season.  What will help is to give yourself time to get ready and to have a plan so you make the most of your practice time.

Are you sitting there secure that this won’t apply to you?  Consider this – playing for your family and/or your friends makes a lovely caring gift that they are sure to enjoy and cherish, so keep reading!

Here are a few ideas to help you prepare:

  • Take stock. Make a list of the tunes you want to play.  Try to make the list broad – some carols, some popular tunes.  Include those tunes that are essential to you for the holidays – those ones that give you a warm fuzzy feeling that it’s really here.  Then include the chestnuts and crowd pleasers and you’ll have a good list going.  Keep in mind that there are a lot of holidays in a few calendar weeks, so include music for those if you may have the opportunity to share.
  • Once you’ve listed those tunes, separate them into the ones you have played before and the ones you would like to learn for this year.  Don’t go crazy with adding new tunes – the point is to be successful, not to be made insane!
  • Make a Schedule. “The Holidays” seem to start earlier each year.  Early November is the new mid-December.  If you’re not gigging per se, you may have a couple of months to prepare, but if you aim to be ready by Halloween, you will have wiggle room if something doesn’t come easily.  You will definitely want to be comfortable by Thanksgiving.
  • Make a practice plan. Now that you have your list of tunes and a schedule, figure out when you’re going to practice what.  Mix up old and new tunes so you’re gaining breadth while also polishing the rusty things.  Be realistic about how many tunes you can learn and how long it will take to polish up tunes you already know.  Using your schedule and your list, plan time to polish and time to learn.  I like to write it on a calendar so i am very aware of how far along I am in preparing and how much time is remaining.  Also be ready to modify – if things are going poorly, reevaluate your list.  If things are going swimmingly, what else should you add?
  • Keep the other stuff going too. While everyone enjoys holiday music, we also also get saturated at some point.  So it’s a good idea to include a couple of non-holiday tunes as well.  This will also help keep your regular repertoire in your mind and hands – because you’ll need them as soon as the holidays are over!

We are watching September slide by, the Ides of September are going past us.  But with just a little bit of organization and focus, you will be able to be comfortably prepared for the entire holiday season with less stress.  And you’ll probably enjoy it more too! 

Have you been asked to play yet? What are you planning to play this holiday season?  Have you started yet?  Let me know (I might want to learn it!).

Do You Count? 

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I often think about tunes in “layers”.  All the layers are important, but some are easier to master than others.  The layers include the notes, the fingering, the phrases.  And then there’s the counting.  There are loads of elements that define the music, but time might be the most challenging to really get learned and honed – to get right. 

Do you Count?

When you get to brass tacks, music is really a sequence of sounds and not-sounds (rests) over time.  And so, to be true to the melody, share the message, and communicate with our listeners, we have to keep the count.  

Sometimes, as harp players, we become inured to the silence – we get so little of it with our wonderful resonant instruments. Harps love to keep on playing and that lovely sound “hanging around” may make us lazy – it may feel like it will be easy to get away with not counting.  But that is an illusion.

Counting can be a challenge when you first begin to learn a tune.  There is so much to learn and all of it important.  We have to keep the important stuff in mind – actively use it.  Time is challenging but it can be so rewarding!  It will help your audience follow your message, it will make playing with other musicians a greater joy, and it will help ensure your tune is what the original composer meant it to be.

Previously, I have said that I don’t advocate rigid adherence to the beat.  That wasn’t really accurate.  Rather, it is essential to know that timing of the piece and work within that.  With poignant airs you might bend the time to build the expression, but that works best by manipulating the times. Laments need to be sorrowful, but it should never be lamentable!  But the difference will be in how you deal with the time. 

It is essential that you learn to count.  Ok, I know you can already count.  You have to learn to count while you’re playing…and keep counting, maintaining your counting throughout your playing. Only when you have mastered this tool of communication can you begin to modify its application as appropriate to tell your story.  I know counting can be hard – it’s one more thing to do while you’re also trying to remember what notes come next, which fingers to use, that you need to breathe, etc.  Pesky layers!

So how do you add counting to that task?  Carefully.

First, start slowly.  This really is another task you will have to perform while also doing all the other things you have learn. Counting is another thing you have to think about as you bring the tune together – make sure you go slowly enough that your brain can keep up!

Second, practice.  Counting while you’re playing takes practice.  You want to practice counting enough that it becomes automatic – no matter what you’re playing or where you are in learning it (just starting, polishing, anywhere in between!).  One method I suggest is to include this in your practice away from the harp.  An easy way to practice is while you’re walking or running.  This gives you a physical beat to follow so you can work on counting.

Third, be consistent.  You can’t practice counting the tune once and be done!  Make practicing counting a regular part of your practice.  If you really are not counting at all – start with simple tunes you already know.  As it gets easier, move on to more challenging tunes and tunes you are learning.  You will get better!

Finally, always be working on it.  Once you can consistently and accurately count, start making things more complicated and related to other music.  Remember to count to the smallest note value (e.g., the eighth notes if they’re present or 16ths – you will have to do some analysis).  Use whatever counting device works for you – vocables, fruits and veg – whatever works!

Of course, there’s (always) more to the story, so send me your questions and share your insights in the comments.  In the meantime, stand up for your music – make sure you count!

September is Baby Safety Month – is your baby safe?

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I don’t know a single harp player who doesn’t, in one way or another, think of their harp as their “baby”.  Little girls, big burly men, people entering degree programs, middle aged beginners, pint sized masters – they all have that sense of their instrument being extremely special to them.  They may or may not name their harp.  And they may not all be vociferous about expressing the sentiment, but you can still sense it. 

And since September is Baby Safety Month, let’s review some important aspects of keeping your baby safe!  There aren’t a lot of things to keep in mind, but they are fairly important to assure your baby is taken care of.

In the Home:

1. Protective Posture.  Think about where your harp sits in the room.  While you want it to be accessible (because we all know that if you have to move your harp to play it, you’re not going to play as much) you also want it to be protected – from sunny windows and blow-y air vents and traffic in the room as well as from Fluffy and Fido, and small hands.  If you have the option, you can keep your harp in a corner or more protected part of the room.  No one wants to hear that gut-wrenching sound of a harp hitting the floor!    

2.  Dis the Dust.  No matter which harp you play – even if you play a Dusty Strings (full disclosure – I’m a fan!) – you don’t really want your soundboard to be covered in dust!  Use a soft, clean (duh) dry cotton or microfiber cloth.  If you’re particularly particular you can also use a soft makeup brush to dust the levers and pins (or so I’ve heard, I’m not that particular!).

3. Time to Tune.  Do I really need to tell you this?  The more you tune, the less you need to…

4. Even Keel.  Keep the temperature and the humidity comfortable.  If you are comfortable, your harp will be fairly happy as well.  Too warm, too cold, too dry – your harp won’t enjoy it either.

5. Zip It.  Close the case when you’re not using it.  Ok, this is probably just a preference, but I find that keeping the case zipped up between uses helps it hold its shape (which makes putting the harp in the case easier).  And it ensures that any cat/dog/rabbit/fish hair that might be floating around your house stays on the outside.

In the Car

1. Treat your baby like a baby.  This might be the best piece of advice I got when I first started playing.  Whenever you wouldn’t leave a baby in the car, don’t leave your harp.  Don’t forget that a closed car will be much warmer than the outside air when parked in the sun.  Remember that the glue may soften in the heat which would weaken the strength of the harp.  Park in the shade if you can.  Of course, too cold can also be a problem, potentially ruining the finish, or worse.

2. Watch the Windows.  For short journeys this might not be important, but longer trips are different.  Try to keep in mind where the sun will be – when the sun beats on the window it gets hot so if you harp is in that window, it will get hot.  If you’re able, put your harp on the other side of the car.  If you don’t have that choice, consider blocking the sun with a sunshade (or a t shirt) – just like you would for a baby!

3. Belted or Bedded.  Hopefully you have carefully selected your harpmobile either to carry your harp “belted” or “bedded”.  When it’s belted your harp is on it’s back through a split seat or across the backseat (and you can actually use the seat belt to help hold it in place!).  If you’re not interested in carrying it that way or your car isn’t shaped for that, you can lay it on its side in the trunk or hatch (assuming a large enough back).  If you decide to “Bed” it, make sure you keep it levers side up and that the surface it’s lying on is level.  Conveniently, a lot of cases have the pocket on the lever side, so as long as you keep the pocket up, you will be ok.

4.  Zip Zip.  Since you have a lovely case – use the case!  Whenever possible put your harp in the case when you put it in the car to help protect it.  And put the levers down to protect them from breaking while in the case.

All the time

Ensure you’re Insured.  No matter it’s age or size, a harp is an investment.  Protect it!  I’m horrified by the number of people I’ve talked to who have not insured their harp!  Just do it.  Call your homeowners’ or renters’ insurance carrier and get a valuable personal property or musical instrument rider.  You will probably have to provide a statement of the value of the harp (like the bill of sale or a letter from a seller stating its value).  If you are making money from your harp (gigging) you may need to buy separate insurance which will be available via an organization (such as International Society of Folk Harpers and Craftsman (ISFHC) or American Harp Society (AHS)).  Don’t dither over the price – buy the insurance!

Keep your baby safe and protected.  Are there any other things you do to care for yours?  Let me know in the comments!